Consumed for years by her duties as CEO of a small credit union, Patsy did not embark upon a career as an artist until November 9, 2001. A "bank" holiday, shut indoors by inclement weather, Patsy spent her day, on a whim, attempting a color pencil rendition of the howling wolf screensaver that frequently cycled up on her laptop. An artist was "born" that day.
Patsy works primarily in traditional soft pastels, in color pencil with water soluble wax pastels, and in graphite, finding that she can readily control these dry media to render highly detailed compositions. Currently, she executes both her pastel pieces and her color pencil/water soluble wax pastel pieces on Ampersand Pastelbords. She prefers to work "large," with most pieces measuring 18" x 24" or larger, although recently she has launched a series of small works averaging 9" x 11" which feature small creaturesa at or larger than life-size -- butterflies, toads, dragonflies, small birds, squirrels, and iguanas.
The self-taught artist has produced a large body of wildlife art over the last four years with an emering personal style marked by strong, colorful, yet infinitely detailed compositions. In addition to the wildlife pieces based on her own research photography, Patsy has completed a number of commissioned pet and human portraits. Patsy generally paints only from her own photographic references, although pet portraits are occasionally done on request from candid photos supplied by the client. She finds that the porcess of getting to know the subject through her own photography breathes "life" into her art. While her style is clearly a realistic, prepresentational one (for which she was juried into The International Guild of Realism in 2008), her aim in each painting is to portray her subject's particular sense of self. The first reaction of her portrait clients is never "it looks just like [the subjec,t" but "you've really captured [the subject's] essence!" For Patsy, the motivation to paint living things is just that: to caputre "essence" in a way that pushes the limits of two-dimensional work to portray subjects with such exceptional dimensionality and vitality they appear as if they might emerge from the frame at any moment, in a way that compels the viewer to reach out and touch the fur, feathers, or the skin of a subject. Pastsy is drawn to strong colors, strong textural elements, and strong negative shapes, and she generally paints her wildlife and figures in simplified compositions that allow her focus on these elements. A newly developing interest is the physics of light and how the human eye reads light, shadow, and color. Consequently, recent works incorporate more environment, which affords her the opportunity to explore the play of light, shadow, and color more extensively. Although her "day job" as a Credit Union CEO is still a full-time obligations for Patsy, she nevertheless manages somehow to paint full time as well. She may have started her painting career "late in the game," but with a growing list of exhibition acceptances and competition awards, as well as signature memberships -- including the International Guild of Realism, Art ofr Conservation, the Pastel Society of America, the UK Coloured Pencil Society, FLAG (Florida Artists Group) -- Patsy seems intent upon emerging as a recognized wildlife painter. |